Аннотация
The purpose of the present paper is to examines the representation of Dublin in James Joyce's Ulysses (1922) through the lens of „overarching” chronotopes (Romantic/Idyllic, Naturalistic/Documentary, Decadent/Self-referential, and avant-garde/modernist). The paper will focus on the juxtaposition of historic (diachronic) and mythic (synchronic) aspects of Dublin as a transhistorical city. The naturalistic description of urban space in "Wandering Rocks" makes sharp contrast with the hallucinatory atmosphere and phantasmagoric symbolism of "Circe" episode. In the "Penelope" episode the dichotomy between historical and mythic poles is abolished through the “spatialization of time”, unifying spatio-temporal configuration that can be referred to as “mythopoeic chronotope”.